Robert Scott Attore
Born on August 8th, 1982. Originally from Panama City, Central America, he began his acting career in Santiago, Chile in 2002, cultivating his craft there before continuing it in Berlin, where he has been based since 2026. His standout project since arriving in Berlin is the film EXPLODING DUCKS by Matthias Glasner.
Riepilogo
NazionalitàStati Uniti, Cile, Panama
LingueSpagnolo (Lingua madre), Inglese (fluente), Inglese - americano (fluente), Inglese - britannico (scolastico), Italiano (scolastico), Tedesco (scolastico)
Nato/a1982, Panama, Panama
Fascia d'età37 - 47
Altezza185 cm
Tipi etniciLatino / Ispanico, Multietnico/a
DomicilioBerlin - Berlino (Germania), Florida (Stati Uniti), Berlin - Berlino (Germania)
Oppurtunità di alloggioSantiago (Cile), Panama (Panama), Munich - Baviera (Germania), Madrid - Madrid (Spagna)
Permesso di lavoroEuropean Union, United States
Contatto
Dati di contatto alternativi:
Abilità/Talenti
Lingue Spagnolo (Lingua madre), Inglese (fluente), Inglese - americano (fluente), Inglese - britannico (scolastico), Italiano (scolastico), Tedesco (scolastico)
Dialetti Southern - American (Dialetto nativo), Standard American (fluente)
Accenti Caraibico (Accento nativo), Latinoamericano (Accento nativo), Spagnolo (Accento nativo), Sudamericano (Accento nativo), Inglese (altamente qualificato/molto bene), Messicano (altamente qualificato/molto bene), Americano (buono), Argentino (buono)
Danza Bachata (altamente qualificato/molto bene), Butoh (Giappone) (altamente qualificato/molto bene), Coreografia (altamente qualificato/molto bene), Danza latino-americana (altamente qualificato/molto bene), Formazione Danza (altamente qualificato/molto bene), Improvvisazione danza (altamente qualificato/molto bene), Merengue (altamente qualificato/molto bene), Salsa (altamente qualificato/molto bene), Teatrodanza (altamente qualificato/molto bene), Afro (buono), Balletto (buono), Cha cha cha (buono), Dancehall (buono), Danza africana contemporanea (buono), Danza africana tradizionale (buono), Danza libera (buono), Disco (buono), Forró (buono), Rumba (buono), Capoeira (scolastico), Danza urbana (scolastico), Samba (scolastico), Street dance (scolastico), Swing (scolastico)
Timbro voce / Voce doppiaggio Baritono
Strumenti musicali Cajón (altamente qualificato/molto bene), African drums (buono), Flauto (buono), Percussioni (buono), Batteria (scolastico), Bongo (scolastico), Charango (scolastico), Chitarra (scolastico)
Discipline sportive Aerobica (altamente qualificato/molto bene), Biliardo americano (pool) (altamente qualificato/molto bene), Karate (altamente qualificato/molto bene), Nuoto (altamente qualificato/molto bene), Tai Chi Chuan (altamente qualificato/molto bene), Tai-Chi (altamente qualificato/molto bene), Yoga (altamente qualificato/molto bene), Arti marziali (buono), Bowling (buono), Box (buono), Ciclismo (buono), Jogging (buono), Motocicletta (buono), Mountain bike (buono), Pallacanestro (buono), Pallavolo (buono), Pilates (buono), Rafting (buono), Scherma (buono), Sci d'acqua (buono), DL - Defense Lab / DNA Fight Science System (scolastico), Fitness (scolastico), Kayak (scolastico), Pattinaggio su ghiaccio (scolastico), Ping pong (scolastico), Sollevamento pesi (scolastico), Tennis (scolastico)
Patente/Brevetti Patente automobile
Altre abilità Insegnante di danza
Aspetto fisico
Fascia d'età 37 - 47
Altezza 185 cm
Corporatura Atletico-sportivo
peso 80 kg
Colore occhi Castani
Colore capelli Castani
Pettinatura Media lunghezza ricci
Peluria viso Barba
Gemello/a No
Tipi etnici Latino / Ispanico, Multietnico/a
Tatuaggio Si, non visibile
Piercing Nessuno
Occhiali No
Cicatrici Nessuno
Formazione
Universidad Finis Terrae
Professional Title: Actor / Bachelor Degree: Acting
Universidad Finis Terrae
Seminar/Workshop - Acting and Television. Instructor: Ivana Chubbuck. Topic: The Chubbuck Method. Based on the techniques of Uta Hagen and Lee Strasberg.
http://matusactores.com/escuela/
Advanced On- Camera Acting - Instructor level 2: Roberto Mattus. Level 3: Paulina Garcia
Facultad de Teatro Universidad de Chile
Dramatic Mime - Instructor: Ricardo Gaete
Universidad Finis Terrae
Dance Theater - Instructor: Thomas Bentin
Universidad Finis Terrae
Body weather and manipulations - Instructor: Elias Cohen
Universidad Finis Terrae
Seminar/Workshop - Instructor: Jorge Eines. The three binominals. The scene as a situation, the character as behavior
Facultad de Teatro Universidad de Chile
Theatrical Research - Raul Osorio
Universidad Finis Terrae
Devised Theatre - Instructor: Karstein Solli
Universidad Finis Terrae
Actor's Training - Instructor: Souphiene Amiar. From the Workcenter of Jerzy Grotowsky and Thomas Richards.
Universidad Finis Terrae
Butoh Dance - Instructor: Makiko Tominaga
Curriculum vitae (CV) Highlight CV - Televisione & Streaming CV - Cinema CV - Teatro CV - Pubblicità CV - Altro
Highlight
2001 - 2004
Andres Garcia
Regia di
Membro della compagnia
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
2016 - 2017
Mi Abuelo Horacio
Monologo
Drammatico, Monologo
Malucha Pinto
Regia di
Protagonista
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
2015
Malucha Pinto
Regia di
Ruolo secondario
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
2014
Malucha Pinto
Regia di
Ruolo secondario
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
2013 - 2018
Aliocha de la Sotta
Regia di
Protagonista
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
2013
Eduardo Herrera
Regia di
Juan José
Protagonista
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
2011 - 2012
Paulina García
Regia di
Lina
Protagonista ricorrente
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
2011 - 2013
Cristina Alcaide
Regia di
Protagonista
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
2011 - 2012
Paulina García
Regia di
Ivanov
Protagonista
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
2010
Raul Osorio
Regia di
Ruolo ricorrente
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
2019
Gonzalo Diaz
Regia di
Armando
Ruolo secondario
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
2025
Performan
Cortometraggio
Antonia Renard
Regia di
Josué
Protagonista
CV - Cinema
2026
Matthias Glasner
Regia di
Aguti
Ruolo secondario
Just released from prison, a former CIA Agent tries to find her daughter and lover and has to fight drug bosses, manipulative spies and inner demons.
2025
Performan
Cortometraggio
Antonia Renard
Regia di
Josué
Protagonista
2019
Gonzalo Diaz
Regia di
Armando
Ruolo secondario
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
CV - Teatro
2016 - 2017
Mi Abuelo Horacio
Monologo
Drammatico, Monologo
Malucha Pinto
Regia di
Protagonista
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
2015
Malucha Pinto
Regia di
Ruolo secondario
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
2014
Malucha Pinto
Regia di
Ruolo secondario
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
2013 - 2018
Aliocha de la Sotta
Regia di
Protagonista
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
2013
Eduardo Herrera
Regia di
Juan José
Protagonista
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
2011 - 2012
Paulina García
Regia di
Lina
Protagonista ricorrente
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
2011 - 2013
Cristina Alcaide
Regia di
Protagonista
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
2011 - 2012
Paulina García
Regia di
Ivanov
Protagonista
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
2010
Raul Osorio
Regia di
Ruolo ricorrente
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
2001 - 2004
Andres Garcia
Regia di
Membro della compagnia
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
